дух времени

13:44 | 28-12-2014 | Art, Internet | No Comments

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Some artistic contributions directly access data and visual worlds from the Deep Web. For example, !Mediengruppe Bitnik transports the Deep Web into the art space while Emily’s Video by Eva and Franco Mattes compiles the reactions of people watching a mysterious video, which had been sourced from the Darknet, that was later destroyed. Cory Arcangel’s work remains concealed from exhibition visitors. He is concerned with the visibility of the Kunst Halle on the World Wide Web. Other artists deal with Internet phenomena that also exist on the Surface Web and which are located in the tension-filled area between anonymity and commerce: Robert Sakrowski is curating YouTube films on the history of Anonymous, Valentina Tanni is making available her archive of memes and Simon Denny will provoke questions about business models, income and property in times of global data interchange. In contrast, Heath Bunting examines data storage in relation to identities. These are constructed by means of shopping cards, credit cards or mobile phones. The artist thus also broaches the subject of class systems. Conversely, an identity can also be deleted – as Seth Price demonstrates with How to disappear in America.

  

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